Explain how iago manipulates roderigo in act 2: scene 1. essay

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Explain how iago manipulates roderigo in act 2: scene 1. essay

Mad, bad or just plain jealous? Essay - Paper Example Mad, bad or just plain jealous?

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Essay The title of the play is Othello, so why have critics spent so many years studying Iago? Why is he such an interesting character? A motive that is noticed throughout the whole of the play is jealousy. I plan to look at three questions: Could Iago have been evil?

Explain how iago manipulates roderigo in act 2: scene 1. essay

Was Iago motivated by a paricular motive? Did Iago have a personality disorder? I will then bring my ideas to a conclusion on why I think Iago behaved like he did. Evil We will write a custom essay sample on Mad, bad or just plain jealous? We can see that Roderigo believes Iago that that this is the source of his hatred towards Othello.

Roderigo does not notice this because of the previous things Iago says, which makes it sound more convincing: Despise me, if I do not. This may suggest that Iago is evil and has no soul. So could he be evil? Even though Iago knows this is really making Roderigo suffer as he loves Desdemona so much he does it any way -and we get the idea that he is really evil and gets pleasure out of these evil deeds.

He may also get enjoyment from manipulating Othello — for the revenge but also for the power. So Iago tries to take control over Roderigo.

Black is also associated with death and so Iago may almost be turning life into death which is changing the godly role of turning death to life and makes Iago into even more of an evil figure. Act 1, scene 3, lines He is saying that his plan has been conceived and is ready to destroy this perfect picture.

So I think that there is much evidence to show that Iago is of evil nature — but is there such thing as a completely evil person? As Iago proceeded in manipulating Othello, he may enjoyed this feeling of power and soon enough felt that he could not stop.

He does not normally have such a great power over people — as Othello is higher up in authority than him and has more control over him. Iago may have realised how he can use his intelligence against people.

He is extremely clever — in his soliloquy we can see him being processing all of his thoughts about his extreme jealousy. This is in Act 2 scene 1. We can see that Iago is really good at speaking — he completes this soliloquy in only a few sentences.

We can see Iago pondering on evidence and thinking about a clever way that he can use all of the facts. Even though he is very clever with this, in the next line he seems to contradict himself: The moor, howbeit I endure him not, Is of a constant, loving and noble nature, Act 2, scene 1 So how can he not stand someone that is so good?

This maybe because he is hesitating and becoming confused, I think that the second line is representing the view of Othello and how people see him — and then in the first line Iago is saying how he hates this.

He tries to make other excuses as to why he is so mad at Othello and says that he suspects him of sleeping with his wife — he does not seem to say this part of the quote with any real emotion or any care, which shows that he probably does not really believe this.

The word office seems to drain the emotion out of the phrase and makes it seem like Iago does not really care, as it is associated with a function or a service. So he is trying to cover up his real emotion and he says: It is quite a physical and disgusting image — something eating at your inwards, but it is also a phrase that links to having something on your mind or some form of jealousy.

Also gnaw being associated with rats, and the fact that rats carried the plague, could also be showing this horrible disease that is inside of him. In the next few lines Iago goes on to explain how he wants to get rid of this feeling and getting revenge on Othello.

After this, Iago starts to develop this plan further, again there are few sentences, this then increases the pace of it and almost makes Othello sound slightly crazy like he has gone too far into this plan. There is another theory that Iago is Gay and in love with Othello.

It was first properly implied in a stage production where Iago is portrayed as gay. In this, when Othello has a fit and is lying on the floor, Iago lies next to him and seems to make sexual noises.

Other evidence in the play to suggest that he is gay is in Act 2 scene 3, where he is describing to Othello how Michael Cassio had sex with Desdemona. He goes into deep description about the event and seems to know a lot about it like he had been previously thinking about it.

Iago Quotes (14 quotes)

· The poet Coleridge was of the view that Iago represents senseless evil in human nature and that his character is a symbol and incarnation of evil itself; hence the famous quote, "The motive-hunting of motiveless Malignity," This refers in particular to Act 1, Scene 3 of Othello in which Iago takes leave of schwenkreis.com://schwenkreis.com  · Emilia's love for Desdemona is perhaps the purest of her feelings.

The bond, then, between lago and Emilia is the bond of evil, in the one case instinctive, in the other acquired.

Back to the Othello Examination Questions main schwenkreis.com In Act 1, scene 3, Iago is all alone when he says, 'After some time, to abuse Othello's ear / That he is too familiar with his wife.

/ He hath a person and a smooth dispose.'schwenkreis.com Othello is a tale of love, jealousy, murder, war, and schwenkreis.com’s a great story, with enough action to motivate students who find the language difficult to struggle through it, schwenkreis.com  · Act 1.

Explain how iago manipulates roderigo in act 2: scene 1. essay

Othello begins in the city of Venice, at night. Iago, He also knows that Roderigo lusts after Desdemona, so Iago manipulates him into alerting Venice.

Iago's duplicity arises even in the first scene. Act V. Spurred on by Iago, Roderigo and Cassio fight, and both are injured badly. Iago enters, pretending that he knows nothing of schwenkreis.com  · Iago is with his “friend,” Roderigo, and talks of Desdemona, “Even now, now, very now, an old black ram is tupping your white ewe” ().

While Iago is speaking with Rodreigo before they plan to yell up to Brabantio’s window, “For when my outward action doth demonstrate the native act schwenkreis.com

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