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But equally important is how Andre Dubus developed his theme, so that I learn from him not only how to be a better father but also how to be a better writer. My name is Luke Ripley, and here is what I call my life: I own a stable of thirty horses, and I have young people that teach riding, and we board some horses too.
This is in northeastern Massachusetts. The room faces the lawn and the road, a two-lane country road. When cars come around the curve northwest of the house, they light up the lawn for an instant, the leaves of the maple out by the road and the hemlock closer to the window.
Already, in the very first phrase, we are getting signals from Dubus that not all is as it appears to be. It is simply a designation other people have given him and know him by, call him by.
Dubus wants us to know there is more to the story than you can see at first glance — and by extension, more to Luke Ripley, too. Significantly as well, we know from the start that this story is about intimacy or at least intimate thoughts, because it is written from the first-person point of view.
There is more to the story than Dubus could tell us from external observation; he needs first-person to tell it right. There is more to the story than the narrator himself can see and touch and smell and feel; we had to go inside his character.
First-person also suggests that the narrator might be dependable or undependable — at the moment there is an equal chance for both. And if you are willing to take a real stretch, I would say something here about the name itself: Is Luke Ripley a trouble-maker?
The next phrase adds to the foreshadowing, adds to the tension now building: Something to hide, cover up? Later in this passage we get this from Luke to confirm our thoughts: The descriptive, material elements in this first paragraph set up divisions between natural things horses, fish, woods, darkness, light, dark, leaves, maple trees, hemlock with man-made things houses, barns, headlights as man-made light, pastures, riding rings, lawn, front room, the road, so forth.
And of course, there is the road itself. Both Luke and his daughter Jennifer have significant experiences on the road. I could go on; the story is that rich with imagery and suggestion.
The story is about a father, we know that from the title. This is a story, i.
We suspect the story is about love and children, and find that even though Luke is separated from his family if not divorced per the church, he is close to his children.Recommended Books About the Disability Experience. List compiled by: Nancy Weiss, Co-director, The National Leadership Consortium on Developmental Disabilities, and Lisa Fong, Graduate Assistant, Center for Disabilities Studies Center for Disabilities Studies, College of Education and Human Development, University of Delaware Wyoming Road • Newark, DE • (voice.
In "A Father's Story" written by Andre Dubus, Luke Ripley is a character that succeeds in his responsibilities as a father. Luke shows love, compassion and above all a protective instinct and desire to help his daughter.
Oct 26, · Andre Dubus III is the author of House of Sand and Fog and a memoir, Townie. A complete collection of his father’s short stories has just been published.
Persian Girls: A Memoir [Nahid Rachlin] on schwenkreis.com *FREE* shipping on qualifying offers. For many years, heartache prevented Nahid Rachlin from turning her sharp novelist's eye inward: to tell the story of how her own life diverged from that of her closest confidante and beloved sister.
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Sign into your email and click the link to verify that you own this email account. This step must be taken within 48 hours for your email to . Thematic Development And Resolution In Andre Dubus’ “A Father’s Story” Andre Dubus’ short story “A Father’s Story” is extremely moving for me personally as the father of five: three bio kids and two more “inherited” by a second marriage.